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robinikmay 16, 200710:33 am@ ninoeh si.. per fortuna.go on, xeebus!!!okay, the mother is called venus. the father was called thaddeus but he's disappeared. she spent $20 million on khandaq children's hospital to get them to come to dinner. i have an itchy armpit. van halen says jump. the pieces are starting to fit together"&meanwhile, back on oolong-not-oblong-never-oblong island, the scientists are all a flutter because a girl is being brought there. jump! my heavens, they actually made a "deluxe edition" of superman iv. the real wonder is that the script for that had far more potential than the script for the bryan singer film. back at the dinner party"& they have dinner. but no party. and venus' surname is sivana. there are another couple of blonds at the table but their exact meaning escapes me. like that time i almost missed the bus, but then got to the stop on time, but then a better bus came along behind it so i got that one instead! oh, t'was a blogspot day, to b esure. or to be sure, whichever. then the weird green thing attacks. it runs off, but it did allow me to learn that the other blonds are called magnificus and beautia. oh, i'll sleep just fine now. junior black adam marvel boy meets with the green thing in the garden and it apologises for interrupting dinner. it's also a crocodile-man. so many steve irwin jokes, so few stingrays. anyway, the kid comes onto the crocodile. yup.in better news, i took the time spy maze and made it through unscathed after collecting both issues. yeehaw!oh sweet mother of mercy, they've given hawkman and hawkgirl an origin. in just two pages? haw! i tried reading it but i was not drunk enough to be apathetic enough to acknowledge it. sorry. but "" mmm, pretty!grade: caction comics #844:written by"&.geoff johns & richard donnerart by"&.adam kubertcolours by"&.dave stewartletters by"&.rob leighedits by"&.matt idelsonpublished by dc"last son "" part one"can superman ever escape the shadow of 1978?lately it feels like the character is forever doomed to remain rooted to the movie that made people believe a man could fly. jonathan kent died on smallville because that was how it was done back in the day. the fortress of solitude, both in comics and on tv, has to look like it did back then. zod has to retain his fondness of making people kneel. bryan singer spent several hundred millions of dollars on providing a big-screen sense of closure to the previous franchise rather than forging a new one. now, with warner releasing deluxe editions of all four original superman movies on dvd alongside superman returns, including the infamous original cut of superman 2, and with numerous large adverts promoting these releases spread throughout all of the dc books, richard donner himself conveniently comes to action comics as a co-writer with his former protégé and current dcu architect, geoff johns. cynics might well wonder if donner's input progressed beyond agreeing to have his name appear on the cover and writing the letter that graces the now very familiar superman 2 "" the richard donner cut dvd advert. have i mentioned the dvds yet?"have i mentioned the dvds yet?"that letter advert appears on the back cover. the front cover is fundamentally a fine piece of art, yet truthfully it is grey and flat and dull and uninspiring. many used those same words to describe singer's movie. those pesky cynics might wonder why dc are so happy to wallow in the past, particularly when infinite crisis provided them with the perfect opportunity to forge a glorious future. there is no question that action comics will see its sales greatly increased for the duration of this johns/donner run, yet it is hard to imagine that those new readers will be tempted to stick around afterwards, or that many of them will actually be new readers. most of them will be the same strange souls that consider the return of hal jordan to be a memorable event in their life. comic books were always pop culture, yet they are stagnating into retro culture instead. this is a creative team that will offer no answers, ask no questions and essentially provide nothing more than padding for the advertising space that brainwashes people into buying some of those shiny dvds. well, superman is not christopher reeve. he is clark kent. remember that and focus on it instead.the actual plot is that a small vessel carrying a young boy crashes in metropolis. all signs indicate that he is kryptonian and possesses the same powers as superman. lex luthor hears of this and plots. superman, determined to not see the boy exploited by the government, kidnaps him and takes him to the kents to be raised "correctly'. the boy looks rather similar to lois lane's creepy son in superman returns. a pastiche of the sole original element in an homage. don't worry, 1978 gets a look-in as well, courtesy of an opening scene in the fortress of solitude in which superman consults jor-el and dialogue is lifted wholesale from that movie. it's the dialogue that was used in the new movie as well. my head hurts. can we never move on from here? to be fair, it is an interesting story idea. unfortunately, superman looking, out for a young boy with powers and trying to protect him from nefarious interveners was done in an affecting manner on smallville not that long ago. check out the episodes "ryan" and "protect". it's hard to imagine "last son" being quite so touching. at the moment it is hard to imagine this being anything more than a dead medium consigned to wallow in the overflow of those that superseded it long ago.wake me when the next generation arrives and decides to base the character around the animated series instead.grade: dlegion of super-heroes #23:writer"&.mark waidpenciller"&.barry kitsoninker"&.mick graycolourist"&.nathan eyringletterer"&.phil balsmaneditor"&.stephen wackerpublished by dccrap, i just noticed that wacker edited this book as well as 52. hopefully waid and kitson didn't rely on his assistance too much. i'd hate for this title to lapse after his move to marvel. then again, 52 started to lapse before he made the switch"&ah, well. this is issue twenty-three and we are still trying to sort of explain supergirl being in the thirty-first century. to further complicate matters, she is genuinely back in kandor as well, the presence of which is explained in a rather nifty way that makes perfect use of the legion's universe. it still doesn't really indicate why supergirl is there, but at least it feels as though we are on course to get a decent explanation now. other than that, the issue is one of those perfunctory "subplot showcase specials' that the series likes to do now and then. this doesn't just involve kandor but the legion of super-villains, something possibly dubbed plant boy, a most unusual blossoming romance, steering the continued greatness of brainiac-5 into a new direction, and the return of"&well, i can't tell you.no, not because it would be a spoiler. because i really don't know who it is. it's made out to be a fairly big deal, and it kinda looks like a familiar character but the costume seems to be lacking a certain chest symbol, so i've no idea. buy the issue and see if you have more luck.grade: b ex machina #24:written by"&.brian k. vaughandrawn by"&.tony harrisinked by"&.tom feistercoloured by"&.jd mellerlettered by"&.jared k. fletcheredited by"&.ben abernathypublished by wildstorm"smoke, smoke "" conclusion"i wish i could remember the flashback portion of this story more clearly. delays are unfortunately quite good at diminishing the impact of plot threads. that's why you should probably just pick up the trades. it's too late for me to switch over at the halfway mark of the series, so i'll just continue to pick up the monthlies. but you should pick it up in some form. possibly using your hands. or maybe a large magnetic device that raises it by the staples? mental note: buy staples. and a staple remover. ex machina is great. this issue is particularly so. the smooth feeling of satisfaction gained only from the truly worthwhile stories as all of the parts start to fall into place is present here. the flashback's lingering guilt, its effect on mayor hundred, his powers starting to shift from "impressive' to "worrying', those left behind by his career path taking action to counter this"& it's all here and it's all matched by political writing so sharp you could be forgiven for thinking that this was a west wing showcase instead. between this, y: the last man, his recent graphic novel pride of baghdad, and his various superhero comics, we are in the midst of a stretch of storytelling so superlative that the english language requires the invention of new superlatives in order to do it justice. this is the fault of brian k. vaughan and we can surely forgive him.grade: aseven soldiers #1:written and possibly true because of events driven by"&.grant morrisonart by"&.j.h. williams iiicolour by"&.dave stewartletters by"&.todd kleinfat chanced by"&.peter tomasipublished by dcoh, come on.reading this issue has the same effect of toiling all your life to construct a time machine to go back in time and attend a beatles gig at the cavern club, succeeding, yet ending up having to wear earplugs forged from excalibur in order to prevent the timeline from unraveling and not hearing a damn thing. sure, you'll have fun, but you'll still be thinking of how much more fun you never wound up enjoying."this is one for the ages."there are parts of this comic book that are nothing short of genius. there are parts with art so beautiful that it makes you want to stop referring to the pretty pictures in other comic books as "art'. there are twists and turns that skate along the fine line that separates surprising from random. there are instances of dialogue that can take away breath and replace it with light. above all else there is the palpable thrill to be had from sitting back and letting this book's giddy excitement wash its wonder over your eyes.and yet"&there are parts of this comic book that are as irritating as anne o'ying. you'll meet her soon. morrison just about manages to tangle the seven story threads together in a satisfying manner "" even if the pretence of never having the seven soldiers meet one another is ruined on at least two occasions here "" but only if you are really trying hard to pay attention without being charged for sensibility. at times it is hard to figure out how what, where, who, when and why fit together. hell, i'm still not sure which of the seven died. the art tricks and complete disregard for traditional layout and structure are certainly impressive but at times they come at the expense of clarity and make for a far less satisfying read than expectations predicted. the dialogue and narrative doesn't help matters by continually delving into the murky depths of the pree ten shuss and forgetting that nobody can hear it underwater. and yet"&nobody can deny that this is the most inventive comic book dc has produced since"& well, take your pick. this event has been too unique in too alternative a sense to be tagged with the same timeless classic status as watchmen and dark knight returns, yet it has truly been an eve ent. by comparison, civil war: a marvel comics event in seven parts seems as substantial as a house made of cucumber slices. it makes things like the above-mentioned action comics #844 seems as progressive as sleep. this is one for the ages. it is a cacophony of harmony, scarcely fit for our times. set an alarm, try again later, and repeat as necessary until grade a is reached.grade: bnext week - nothing but 52 week twenty-seven. in other words, people need to get their fingers out of their crevices and release some damn trades already. the new man of steel and y: the last man collections, for instance. shipping in october, my precious arse"&.

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Muovo le cosce sempre più sfrenata in noi.